MORETTO da Brescia

Italian High Renaissance Painter, 1498-1554 Italian painter. Together with Romanino and Giovanni Girolamo Savoldo, he was one of the most distinguished painters of Brescia of the 16th century. Influenced by both Lombard verism and contemporary Venetian painters, Moretto created an individual style in which realism and Venetian light and colour were perfectly balanced. He was personally involved in the local movement of Roman Catholic reform, and this is reflected in his direct, solemn and often moving depictions of religious subjects.


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MORETTO da Brescia Count Sciarra Martinengo Cesaresco a oil


Count Sciarra Martinengo Cesaresco a
Painting ID::  8280
Count Sciarra Martinengo Cesaresco a
1516-18 Oil on canvas, 114 x 94 cm National Gallery, London
   
   
     

MORETTO da Brescia Allegory of Faith sg oil


Allegory of Faith sg
Painting ID::  8281
Allegory of Faith sg
1530s Oil on wood, 102 x 78 The Hermitage, St. Petersburg
1530s Oil_on_wood,_102_x_78 The_Hermitage,_St._Petersburg
   
   
     

MORETTO da Brescia Holy Family su oil


Holy Family su
Painting ID::  8282
Holy Family su
Oil on canvas Accademia Carrara, Bergamo
Oil_on_canvas Accademia_Carrara,_Bergamo
   
   
     

MORETTO da Brescia St Justina with the Unicorn sg oil


St Justina with the Unicorn sg
Painting ID::  8283
St Justina with the Unicorn sg
c. 1530 Wood, 200 x 139 cm Kunsthistorisches Museum, Vienna
   
   
     

MORETTO da Brescia Portrait of a Man sg oil


Portrait of a Man sg
Painting ID::  8284
Portrait of a Man sg
c. 1520 Oil on canvas, 73,7 x 56 cm Museum of Fine Arts, Budapest
   
   
     

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     MORETTO da Brescia
     Italian High Renaissance Painter, 1498-1554 Italian painter. Together with Romanino and Giovanni Girolamo Savoldo, he was one of the most distinguished painters of Brescia of the 16th century. Influenced by both Lombard verism and contemporary Venetian painters, Moretto created an individual style in which realism and Venetian light and colour were perfectly balanced. He was personally involved in the local movement of Roman Catholic reform, and this is reflected in his direct, solemn and often moving depictions of religious subjects.

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